By song we bulwark our flesh from the effort and flesh from our flesh from effort from them
Common Rest takes the form of the lullaby as a structural and thematic starting point for experimentation with poetry in its material manifestations. A project in collaborative, improvisational sound-poetry accompanied by a book of written poems, both of which explore the languages of work and rest. Holly Pester’s collaborative sound-work with accompanying book of poetry is available as a 10” vinyl LP in a gatefold sleeve from Test Centre in a limited edition of 250 copies. Pester is exceptionally talented in this field, and this collection features collaborations with Nat Raha and Verity Spott – both of whom are working experimentally with sound in innovative and exciting ways. The record also features collaboration with poet Vahni Capildeo, as well as artists, musicians and sound artists: the result is a poetry project tangible and alive with shapes and shades and weathers.
tonight you might feel your feet multiply / you might lick or suck or clean ‘em / cos you’ve got a nighttime job
The juxtaposition between the poetry on the page and the sound poetry generates tangential layering and a satisfyingly physical sensation to roll around one’s tongue and cradle in one’s limbs. It’s tangible, tasty and textured. The materiality of language in its verbal and visual forms is central to Common Rest’s project: the soundscapes feature improvised repetition based on sounds, words and phrases lifted out of sequence from the poetry; ad libs; riffs; vocal and instrumental atmospheric sounds; shifts in volume and pace; haunting, dream-like lullabies both sung and spoken… What the LP is NOT is a spoken word recitation of the poems in the book. There are counterpoints and variations, fissures and reimaginings, teasing and testing the limits of the poetry on the page. The book of poetry itself is equally aware of its material qualities: printed in teal-blue lettering on spacious, soft-white pages, the colour and layout create the sense of tranquility that each poem desires and yet which eludes the vocabulary of most.
These are objects that have been designed with materiality in mind. The poetry’s physical effect/affect on the listener’s body is central to its extended materiality: ASMR (autonomous sensory meridian response) artist Claire Tolan works with Pester on the track Brush to engender a soundscape that will soothe (and haunt) the listener physically as well as mentally and emotionally, perhaps as a lullaby traditionally might.
I am asleep
but my organs work on some image my heart
likes to look at in the rest space
– Glamour hallucinated love
Playing with the structural conventions of the lullaby and the vocabularies of work and rest, these poetic works explore the impacts of work and rest on human bodies and psychologies. The two Untitled Lullabys highlight both the song’s ability to ‘bulwark [the] flesh [against] effort’ and the exhaustive toll of that effort on the physical body. Pester suggests that, ‘While a lullaby sounds out the material labour of care, makes its flesh and breath felt, it also sounds out the radical obscuring of work. Therefore a lullaby might be a chorus for all bodies, affectively performing a different worksong, a kind of common rest.’ Physical Capabilities seems to take its vocabulary from a standard government document to assess a disabled person’s fitness for work. Pester compounds the words ‘tell us how’, so that the verbal telling is conflated with the visual showing, highlighting the burden of proof as it increasingly falls on the vulnerable, as well as foregrounding the formal strategies employed within Common Rest as a project.
Tellus if you use
a stick tellushow it affects It varies Can you go up tellus more about steps Reaching
– Physical Capabilities
This poetry project locates the effects of the political within the physical bodies of the individual and collective workers and their rhythms of song and sound. It is one of the most innovative and exciting new poetry projects currently available and it’s a perfect showcase for the publishing work of Test Centre. Test Centre has an impressive back-catalogue of spoken-word vinyl LPs, books and pamphlets published since 2011, a regular magazine of poetry and fiction, and a forthcoming list of new works. The combined sound-and-book production of Common Rest re-energises the publication and performance of poetry and demonstrates why Test Centre was nominated ‘Most Innovative Publisher’ at the 2015 Saboteur Awards.
In my opinion, ALL poetry should be presented like this, but I suspect that it just wouldn’t always work. What Holly Pester and her collaborators have created, however, has found its most fitting expression in the publishing expertise at Test Centre. This is a collection you should own.
Common Rest contributors:
Holly Pester is a poet, writer and cross-disciplinary researcher. hollypester.com
Emma Bennett is performance artist and stand-up comedy scholar. emmabennettperformance.wordpress.com
Vahni Capildeo is an award-winning poet, multi-disciplinary writer and Old Norse scholar. carcanet.co.uk/cgi-bin/indexer?owner_id=1167
Jenny Moore is an artist, musician and drummer in a band. jennymoore.co
Nat Raha is a poet, trans activist and researcher in queer Marxism. sociopatheticsemaphores.blogspot.co.uk
Vera Rodriguez is a photographer, dancer and a sex worker support telephone line operator. ethicalstripper.com/site/the-collective/vera-rodriguez/
Verity Spott is a poet, cellist and mental health care worker. twotornhalves.blogspot.co.uk
Claire Tolan is a sound and ASMR artist. cst.yt
Yasmin Kuymizakis (sound editor) is a sound artist, sound designer and singer/songwriter. soundcloud.com/yasmin-kuymizakis
Mariana Simnett (album cover artist) is an artist. frieze.com/article/focus-marianna-simnett
About the Publisher:
Test Centre is an independent publishing house and record label with an interest in the spoken and written word. Based in Hackney, East London, it was established in 2011 by Will Shutes and Jess Chandler.
Review by Sally-Shakti Willow